Gouache Portrait
A really enjoyable little project in gouache, undertaken back in August. I used a limited palette of yellow ochre, venetian red, ivory black, cobalt blue and burnt umber. I’m really pleased with the result. It’s a good likeness and the…
Illuminated Interior
A little watercolour interior. This is a lamp we bought after Nelly accidentally smashed its predecessor (which was something a lot more tasteful). It’s a pretty big table lamp, around 3′ high I would guess, and makes me think of…
White Lilac
Another painting from a few months ago, this one of white lilac. Thinking that the delicate blossom wouldn’t last very long, I worked quickly and looked for big structural shapes within the larger heads, before picking out a few details…
Garlic with the blue and white jug
Well, it’s been quite a while since my last post. Many other things got in the way over the summer months, not least some ill health, and art has been the area to suffer. I’ve got a few new pieces…
Tomatoes on the Vine
A fairly rapid oil sketch of some vine tomatoes and the paper bag they arrived home in. I tried to not to fuss each brush mark, and to put down thicker paint and little medium to see how things fused…
Duck Eggs
I painted these duck eggs (in a white ceramic egg holder) over an old figure study that wasn’t worth keeping hold of. I intended this to be a high-key painting, with subtle, pale hues conveying a sense of calm. Instead,…
60 Percent
This is another painting that was completed a few weeks ago – although quite a while after Easter, which was when this Lindt chocolate bunny was bought. It took some willpower to resist eating him until he’d been immortalised in…
Wilted Daffodils
I painted this a few weeks ago as we moved towards the end of Spring. I spent several days trying to capture these same flowers when they were freshly opened, but couldn’t resolve the composition, and regardless of paint passages…
Floral Painting
I find flowers so difficult to paint. They can be structural, but delicate; with light both reflected by, but also travelling through, petals and leaves. To achieve true softness and believability is such a challenge. In many ways, I don’t…
Bergamots on a Delft Plate
In more palette experimentation, I didn’t use any earth colours in this painting; relying on a palette containing Cadmium Lemon, Cadmium Red Medium, Alizarin Crimson, Cobalt Blue, Ultramarine Blue and White. I again used minimum medium and found the texture…
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